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Cast Away (P&s Sen)

3 annonces pour ce produit

7,31 €

Vendu par : dvdlegacy (PRO)
Note : 4,5/5 pour 68497 ventes

Expédition : normal, recommandé

Produit Neuf Spécialiste de la vente du DVD Zone 1, plus de 20 000 titres neufs sous blister sont disponibles sur mon inventaire, plus de 40 000 ventes sur PriceMinister, faites confiance à un pro, expédition soignée, Délai de livraison 5-10 jours, expédition... (suite) Voir le détail de l'annonce

7,54 €

Vendu par : bestcddvd (PRO)
Note : 4,2/5 pour 4517 ventes

Expédition : normal, recommandé

Produit Neuf
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10,00 €

Vendu par : totalrec (PRO)
Note : 4,5/5 pour 2693 ventes

Expédition : normal, recommandé

Produit Neuf Géneralement prêt en l'envoi après 2 jours ouvrés. ATTENTION!!! Zone 1. A jouer seulement avec des appareils adaptés à la zone 1.. Nombre des disques: 1. TR#1170137 Voir le détail de l'annonce

Cast Away is a good movie that wants to be much better. While director Robert Zemeckis's earlier film Contact achieved a kind of mainstream spiritual significance, Cast Away falls just short of that goal. That may explain why the film's most emotionally powerful scene involves the loss of an inanimate object, even as it presents a heart-rending dilemma in its very human final act.

It's three movies in one, beginning when punctuality-obsessed Federal Express systems engineer Chuck Noland (Tom Hanks) departs on Christmas Eve to escort an ill-fated flight of FedEx packages. Following a mid-Pacific plane crash, movie number two chronicles Chuck's four-year survival on a remote island, totally alone save for a Wilson volleyball (aptly named Wilson) that becomes Chuck's closest friend. Movie number three leads up to Chuck's rescue and an awkward encounter with his ex-girlfriend Kelly (Helen Hunt, in a thankless role), for whom Chuck has seemingly risen from the grave.

It's fascinating to witness Chuck's emerging survival skills, and Hanks's remarkable physical transformation is matched by his finely tuned performance. With slow, rhythmic camera moves and brilliant use of sound, Zemeckis wisely avoids the postcard prettiness of The Black Stallion and The Blue Lagoon to emphasize the harshness of Chuck's ascetic solitude, and this stylistic restraint allows Cast Away to resonate more than one might expect. Even the final scene--which feels like a crowd-pleasing compromise--offers hope without shoving it down our throats. You may not feel the emotional rush that you're meant to feel, but Cast Away remains a respectable effort. --Jeff Shannon ...